Poetry on the Web
The following presents a selection of Amy Catanzano’s creative work on the web in print, video, and audio. To read her poetic theory appearing on the web, see Quantum Poetics.
CONJUNCTIONS ONLINE (BARD COLLEGE)
Conjunctions online publishes two poems by Amy Catanzano, “Slay” and “Resonance.” Both poems invoke the Planck length, the scientific scale at which classical ideas about gravity and spacetime cease to be valid and quantum physics reigns. Listen to an audio recording of Catanzano reading “Slay” here.
Entanglements at wake Forest university
Amy Catanzano and Satya Gontcho A Gontcho perform a danced-poem at Wake Forest University for Entanglements: A Conference on the Intersections of Science, Poetry, and the Arts (starting at 5:00). Gontcho A Gontcho performs an original Odissi choreography to Catanzano’s poem, “At the Edge of the Abyss,/This World” written in response to the dark energy research that Gontcho A Gontcho and others conducted at the Cerro Tololo Inter-American Observatory in north-central Chile.
La Vague Journal, vol. 11
Amy Catanzano’s poem, “For Immediate Release,” in La Vague is written in the form of a press release from the future. Other contributors to the journal are Dara Cerv, Kate Colby, Joy Drury Cox, Kristin Ihns, Kelly Krumrie, Maggie Queeney, Rosmarie Waldrop, and Audra Wolowiec. Editor/curator: Jennifer Pilch.
Perfect Wave Journal, vol. 4
Amy Catanzano’s poem, “Guide to an Unknown Literature,” appears in Perfect Wave alongside selections from her series, Borealis: Time Signatures. The latter was printed as an inserted broadside.
Other features in the journal include “MSHR with Brenna Murphy and Birch Cooper” by Ka Baird; “Yuri Tuma” by Monica Uszerowicz; “Maja D’Aoust” by Monica Uszerowicz; “MIRRORS AT MIDNIGHT with Genevieve Belleveau, Grace Kredell, Linda Mary Montano, Eliza Swann, and Monica Uszerowicz of The Golden Dome School”; “Tony Conrad” by Will Cameron; and “Art, science, and uselessness in Tierra del Fuego: A Conversation with Camila Marambio” by Catalina Jaramillo. Additional poetry is by Joey De Jesus and Jillian McManemin. Art is by Alex Phillipe Cohen, Genevieve Belleveau, and Raúl De Nieves. Cover and back art is by William Murphy. Editors: Camilla Padgett-Coles and Ka Baird.
COVER ART by William Murphy, collage
Truck (video-poem): TRansmission series
Amy Catanzano reads an excerpt from MEPO: A Conceptual Memoir from Loveland, for Halvard Johnson’s poetry journal, TRUCK. Guest editor: mIEKAL aND. The series also features work by Ann Bogle, Leanne Bridgewater, Adeena Karasick, Matina L. Stamatakis, Maria Damon, Sheila E. Murphy, Lissa Wolsak, Elizabeth Was (aka Lyx Ish), Robin F. Brox, Geraldine Monk, Kateri Lanthier, Rachel Blau DuPlessis, Hannah Weiner, Jen Tynes, Thylias Moss, Suzanne Mercury, Michelle Detorie, Ash Smith, Yagni Payal, Sonnet D'Abbe, Orchid Tierney, Stacy Doris, Feliz Lucia Molina, Maja Jantar, and Mez Breeze.
Fence Magazine 10th Anniversary Reading
Amy Catanzano reads “Chromatica” and “Notes on the Enclosure of Notes” at Roosevelt University in Chicago for Fence Magazine’s 10th Anniversary Poetry Reading at AWP Chicago.
conjunctions (bard college)
Conjunctions online (Bard College) publishes “Objects of the Visible Language” and “Notes on the Enclosure of Beams.”
Three poems by Amy Catanzano, “Repulsine,” “Eleven Asteroids,” and “Three Poems on Gravity,” were represented as drawn watercolors by poet, artist, and musician Brian Lucas in POETBOOK: An Illuminated Project. Poetry by Will Alexander and Lina Ramona Vitkauskas is also featured in the journal.